Philadelphia, PA, —In February 2017, The Barnes Foundation will presents The Contemporary Art of Flânerie, an exhibition featuring the work of 40 U.S. and international artists who have taken to the street throughout the post-war period to speak to issues as diverse as gentrification.
Person of the Crowd, on view February 25 through May 22, features works, new performances, and historical pieces by Marina Abramović, Vito Acconci, Eleanor Antin, Constant, David Hammons, and Zhang Huan, among many others.Major support for Person of the Crowd: The Contemporary Art of Flânerie has been provided by The Pew Center for Arts & Heritage, with additional support from Comcast NBCUniversal, the individual contributors to the Barnes Foundation Exhibition Fund, the Jill and Sheldon Bonovitz Exhibition Fund, the Horace W. Goldsmith Foundation, and the Dolfinger-McMahon Foundation.
While much of the exhibition will be presented in the Barnes Foundation’s Roberts Gallery, Person of the Crowd will also reach into the city of Philadelphia. A series of performances—by artists including Sanford Biggers, Tania Bruguera, Ayana Evans, Zachary Fabri, and Wilmer Wilson—will take place on the streets of Philadelphia, and billboard and street poster projects will activate the city throughout the exhibition run.
The Barnes has also commissioned New York-based artist Man Bartlett to create a microsite and digital artwork exploring themes related to the exhibition and the concept of “cyberflânerie.” Bartlett will act as a flâneur by documenting the street performances taking place throughout the run of the exhibition and inviting the general public to step into the position of the flâneur and share their perceptions of everyday urban life via social media using the hashtag #Personofthecrowd. He will also work with teens in the Philadelphia region to develop videos documenting their own experiences as flâneurs inspired by their engagement in the public spaces of the city.
Bartlett will weave together this rich digital content—his documentation of the performances, the public’s social media posts as interpreted by a custom-built machine learning application, and Philadelphia students’ videos—to create the final piece which will live on a microsite and will be projected inside the Barnes Foundation’s Annenberg Court.
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